Nemanja Radulović and his Double Sens ensemble take us on a journey across the world with works from the Balkans, East Asia, and Americas.
Review: Brahms – Double Concerto – Mutter, Ferrández, Honeck
In her new 2022 release, Anne-Sophie Mutter revisits Brahms’ Double Concerto, this time with Pablo Ferrández and the Czech Philharmonic led by Manfred Honeck.
Review: Echo – Ruby Hughes, Soprano
Ruby Hughes collaborates with pianist-composer Huw Watkins in a vibrant recital of works by Watkins and Bach, as well as traditional songs arranged by Britten.
Review: Dvořák – Poetic Tone Pictures – Leif Ove Andsnes, Piano
Leif Ove Andsnes performs one of Antonin Dvořák’s less featured piano works, the Op. 85 Poetic Tone Pictures.
Review: Chopin – Mazurkas, Vol. 1 – Peter Jablonski, Piano
Pianist Peter Jablonksi follows up on his acclaimed 2020 debut recording for the Ondine label, this time with the first half of Chopin’s Mazurkas.
Review: Eclipse – Hilary Hahn, Violin
Hilary Hahn and the Frankfurt Radio Symphony present a challenging program of violin concertos by Dvořák and Ginastera, as well as Sarasate’s Carmen Fantasy.
Review: Szymanowski – Piano Works – Krystian Zimerman, Piano
Krystian Zimerman’s three-decade Szymanowski journey features the composer’s Mazurkas, Op. 34 Masques, and Op. 10 Variations on a Polish Theme.
Review: Schwanengesang – Ian Bostridge, Lars Vogt
This recording, in collaboration with Lars Vogt, marks Ian Bostridge’s final installment of the Schubert song cycles trilogy for the Pentatone label.
Review: Hollywood Soundstage – Wilson, Sinfonia of London
John Wilson leads his Sinfonia of London in a curation of soundtrack features from some of the memorable films of the 1940s through the 1960s.
Review: Tristan – Igor Levit, Piano
Igor Levit explores the themes of love and death on his new album, Tristan, through works by Liszt, Henze, and Mahler.
