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Album Reviews

Review: Phrases – Héloïse Werner, Soprano

Azusa Ueno - July 15, 2022February 26, 2026

Soprano and composer Héloïse Werner takes the listener on a journey of contemporary works centered around the theme of ‘phrases’.

Album Reviews

Review: Liszt – Piano Concertos, Sonata – Alexander Ullman, BBC Symphony, Litton

Azusa Ueno - July 4, 2022February 26, 2026

2017 Liszt Competition winner Alexander Ullman delivers an ambitious all-Liszt program featuring the B minor Sonata and piano concertos with the BBC symphony under Andrew Litton.

Album Reviews

Review: Messiaen – Vingt Regards sur l’Enfant-Jésus – Bertrand Chamayou, Piano

Azusa Ueno - July 7, 2022February 26, 2026

Bertrand Chamayou tackles Messiaen’s iconic Vingt Regards sur L’Enfant-Jésus and additional works by Takemitsu, Murail, and others.

Album Reviews

Review: Strauss – Orchestral Songs – Hanna-Elisabeth Müller, Soprano

Azusa Ueno - June 24, 2022February 26, 2026

Hanna-Elisabeth Müller, Christoph Eschenbach, and the WDR Orchestra perform Richard’s Strauss’ finest orchestral songs, including the Four Last Songs.

Beginners Guides

Schubert – Winterreise – A Beginners Guide

Azusa Ueno - June 16, 2022March 12, 2026

A guide to one of Franz Schubert’s defining song cycles with background, analysis, and recommendations for the best recordings.

Album Reviews

Review: Coleridge-Taylor – Nonet, Piano Trio, Piano Quintet – Kaleidoscope Chamber Collective

Azusa Ueno - June 14, 2022February 26, 2026

The Kaleidoscope Chamber Collective presents three early chamber works of Samuel Coleridge-Taylor.

Album Reviews

Review: “Angelica Diabolica” – Giulia Semenzato, Soprano

Azusa Ueno - May 24, 2022February 26, 2026

In a 2022 performance of works by Handel, Pollarolo, and others, Giulia Semenzato explores the world of the Baroque aria through the lens of an epic poem.

Album Reviews

Review: Préludes, Interludes, Postludes – Jan Michiels, Piano

Azusa Ueno - May 18, 2022February 26, 2026

Pianist Jan Michiels performa preludes and other works by Chopin, Debussy, Ligeti, and Kurtàg on period instruments.

Album Reviews

Review: Weber – Der Freischütz – René Jacobs (2022)

Azusa Ueno - May 13, 2022February 26, 2026

René Jacobs conducts a period-instrument performance of Weber’s singspiel, Die Freischütz, in which he also restores parts of the original libretto.

Album Reviews

Review: Ye Xiaogang – Seven Episodes for Lin’an – Deutsche Staatsphilharmonie Rheinland-Pfalz

Azusa Ueno - May 5, 2022February 26, 2026

The Deutsche Staatsphilharmonie Rheinland-Pfalz presents three works of contemporary composer Ye Xiaogang inspired by history, culture, and ancient poetry.

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Azusa Ueno

Author

Dr. Azusa Ueno has a twenty-five-year career as a classical pianist. She has made concert appearances in New York City, Los Angeles, Connecticut, New Jersey, and internationally in Japan and the Czech Republic. Azusa attended the Manhattan School of Music, the Juilliard School, and Yale University. Her doctoral dissertation, an analysis of the life and works of American composer Charles Tomlinson Griffes, combined the disciplines of psychology and music. A sought-after lecturer, she has presented on Griffes, the piano works of Chopin and Debussy, and the history of 20th-century American music. Azusa is also an avid collaborative pianist and has performed the complete Schubert song cycles.

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