David Greilsammer in a unique piano recital with works ranging from early Baroque to contemporary.
Review: Monteverdi – il terzo libro de’ madrigali – Alessandrini
Rinaldo Alessandrini returns to Monteverdi with Concerto Italiano, 15 years after his last recording of the composer.
Review: “Dear Mademoiselle” – Astrig Siranossian, Cello
Cellist Astrig Siranossian in a Tribute to Nadia Boulanger, with pianists Nathanaël Gouin and Daniel Barenboim.
Review: Saint-Saëns – Chamber Works – Chamayou, Capuçon, Moreau
Bertrand Chamayou is joined by violinist Renaud Capuçon and cellist Edgar Moreau in Saint-Saëns’ Violin Sonata No. 1, Cello Sonata No. 1 and Piano Trio No. 2.
Review: “London, Circa 1720, Corelli’s Legacy” – La Rêveuse
La Rêveuse examines Corelli’s legacy on London’s music scene in 1720, with works by Handel, Babell, Geminiani and Schickhardt.
Review: “Amici e Rivali” – Lawrence Brownlee and Michael Spyres perform Rossini
Lawrence Brownlee and Michael Spyres perform duets and scenes from Rossini’s operas. They are joined by mezzo Tara Erraught and tenor Xabier Anduaga.
Review: Louis Lortie Plays Chopin, Volume 6
In the sixth volume of his ongoing Chopin cycle, Louis Lortie plays Mazurkas, Polonaises the Fantasie Op. 49 and the “La ci darem” variations.
Review: Schubert – Die schöne Müllerin – Ian Bostridge
Ian Bostridge returns to Schubert’s song cycle, in a new live recording from London’s Wigmore Hall.
Review: “Silver Age” – Daniil Trifonov Plays Stravinsky, Prokofiev, Scriabin
Daniil Trifonov plays concertos and solo works by Prokofiev, Stravinsky and Scriabin.
Review: “Tudor Queens” – Diana Damrau, Soprano
Soprano Diana Damrau performs three acts from Donizetti’s “Tudor” opera trilogy, with the Orchestra dell’Accademia Nazionale di Santa Cecilia and Antonio Pappano.