Hervé Niquet leads Le Concert Spirituel in Fauré’s Requiem and Gounod’s Messe de Clovis.
Review: Dvořák – Symphonies No. 7-9 – Semyon Bychkov
Semyon Bychkov leads the Czech Philharmonic in Dvořák’s three famous symphonies.
Review: The Kurt Weill Album – Joana Mallwitz
Joana Mallwitz conducts the Konzerthausorchester Berlin in Kurt Weill’s two symphonies and “The Seven Deadly Sins”.
Review: Bruckner – Symphony No. 7 – Pittsburgh Symphony Orchestra, Manfred Honeck
Manfred Honeck conducts the Pittsburgh Symphony Orchestra in Bruckner Symphony No. 7, and a contemporary piece by Mason Bates, “Resurrexit”.
Review: Shostakovich – Symphonies No. 4-6 – Klaus Mäkelä
Klaus Mäkelä conducts the Oslo Philharmonic in Shostakovich’s Symphonies No. 4, 5 & 6.
Review: Brahms – The Symphonies – Yannick Nézet-Séguin
Yannick Nézet-Séguin leads the Chamber Orchestra of Europe in Brahms’ four symphonies.
Review: Tchaikovsky – Variations, Dvořák – Cello Concerto – John-Henry Crawford
John-Henry Crawford in Tchaikovsky’s Variations on a Rococo Theme and Dvořák’s Cello Concerto.
Review: Mahler – Symphony No. 9 On Period Instruments – Philipp von Steinaecker
Philipp von Steinaecker leads the Mahler Academy Orchestra in the composer’s 9th Symphony, on period instruments.
Review: Mahler – Symphony No. 3 – Minnesota Orchestra, Osmo Vänskä
Osmo Vänskä finishes his Mahler Symphonies cycle with the Minnesota Orchestra, in Symphony No. 3.
Review: Schoenberg & Fauré: Pelléas et Mélisande – Paavo Järvi
Paavo Järvi conducts the Frankfurt Radio Symphony Orchestra in two version of Pelléas et Mélisande, by Schoenberg and Fauré
