Paul Moravec’s 2017 work, “Sanctuary Road” is a 50-minute large scale oratorio for five soloists, chorus and orchestra. Here released in its premiere recording.
Review: Beethoven – "Leonore" – René Jacobs
In his new release of “Leonore”, René Jacobs perform the early version of Beethoven’s opera, “Fidelio”, with soloists and the Freiburger Barockorchester.
Review: Mahler – Symphony No. 8 – Ádám Fischer
Ádám Fischer continues his Mahler cycle with the Düsseldorfer Symphoniker, arriving to the eights, “Symphony of the Thousand”.
Review: Bach – Overtures (Orchestral Suites) – Concerto Italiano, Alessandrini
Rinaldo Alessandrini and Concerto Italiano perform the 4 “Overtures” (Orchestral Suites) by Bach and other siblings.
Review: Benjamin Bernheim, Tenor – Deutsche Grammophon (2019)
In his debut album for Deutsche Grammophon, tenor Benjamin Bernheim sings opera arias by French and Italian composers.
Review: Beethoven – Complete Piano Concertos – Brautigam (2019)
This is Ronald Brautigam’s second recording of Beethoven’s Piano Concertos cycle, this time on period instruments with Die Kölner Akademie under Michael Alexander Willens.
Review: Weber – Der Freischütz – Marek Janowski
In his second version on record, Marek Janowski is joined by a talented cast of soloists and is accompanied by the Frankfurt Radio Symphony.
Review: Handel – Brockes Passion – AAM, Richard Egarr
A new recording of Handel’s rarely performed passion, to mark the 300th anniversary of the first known performance.
Review: “Destination Rachmaninov – Arrival” – Piano Concertos No. 1 & 3 – Daniil Trifonov
Daniil Trifonov closes his Rachmaninov cycle with the Philadelphia Orchestra and Yannick Nézet-Séguin.
Review: Beethoven – Symphony No. 9 – Masaaki Suzuki
Masaaki Suzuki and the Bach Collegium Japan turns their attention to Beethoven Symphony No. 9.
