Sir Antonio Pappano conducts the London Symphony Chorus and Orchestra in Mendelssohn’s Elijah, performed in English.
Review: Mozart – Requiem – Pygmalion, Raphaël Pichon
Raphaël Pichon conducts Pygmalion in a program that combines Mozart’s Requiem with his earlier choral works.
Review: Prokofiev – Piano Concerto No. 2 & 3, Piano Sonata No. 7 – Stewart Goodyear
Stewart Goodyear plays Prokofiev’s Piano Concertos No. 2 & 3 with the BBC Symphony Orchestra under Andrew Litton.
Review: Contemplation – Huw Montague Rendall
Baritone Huw Montague Rendall in opera arias by Mozart, Mahler, Korngold, Britten, Gounod, Duparc and more.
Review: Bruckner – Symphony No. 9 – Tonhalle-Orchester Zürich – Paavo Järvi
Paavo Järvi continues his new Bruckner cycle with the Tonhalle-Orchester Zürich.
Review: Elgar – Violin Concerto – Vilde Frang, Robin Ticciati
Vilde Frang plays Elgar Violin Concerto with the Deutsches Symphonie-Orchester Berlin under Robin Ticciati.
Review: Dvořák – Symphony No. 9 (“From the New World”) – Atlanta Symphony Orchestra, Nathalie Stutzmann
Nathalie Stutzmann conducts the Atlanta Symphony Orchestra in Dvořák’s 9th Symphony (“From the New World”) and the “American Suite”.
Review: Fauré – Requiem, Gounod – Messe de Clovis – Le Concert Spirituel, Hervé Niquet
Hervé Niquet leads Le Concert Spirituel in Fauré’s Requiem and Gounod’s Messe de Clovis.
Review: Dvořák – Symphonies No. 7-9 – Semyon Bychkov
Semyon Bychkov leads the Czech Philharmonic in Dvořák’s three famous symphonies.
Review: The Kurt Weill Album – Joana Mallwitz
Joana Mallwitz conducts the Konzerthausorchester Berlin in Kurt Weill’s two symphonies and “The Seven Deadly Sins”.