Magdalena Kožená’s exploring the intersection of folk and classical music with works by Bartók, Berio, and Ravel.
Category: Album Reviews
Unveiling the newest in classical music! The Classic Review’s Album Reviews offer insightful critiques of recent releases. Explore a range of artists, ensembles, and repertoire – all expertly analyzed for music lovers, new and experienced. Discover your next favorite recording here.
Review: Stravinsky – Violin Concerto, Orchestral Suites – James Ehnes, Sir Andrew Davis
James Ehnes, the BBC Philharmonic and Sir Andrew Davis in an all-Stravinsky program, including the Violin Concerto and two Orchestral Suites.
Review: Ravel – Piano Concertos – Alexandre Tharaud
Alexandre Tharaud performs Ravel Piano Concerto in G and Concerto for the Left Hand, with de Falla’s Noches en los jardines de España.
Review: Shostakovich – Symphonies Nos. 2, 3, 12 & 13 – BSO, Nelsons
This final installment of Andris Nelsons and the Boston Symphony Orchestra’s Shostakovich symphony cycle features No. 13 (“Babi Yar”).
Review: Dvořák – The Complete Piano Trios – Veronika Jarůšková, Peter Jarůšek, Boris Giltburg
Boris Giltburg collaborates with the Pavel Haas Quartet’s Veronika Jarůšková and Peter Jarůšek on a journey through Dvořák’s four piano trios.
Review: Beyond – Jakub Józef Orliński, Countertenor
Jakub Józef Orliński’s fourth album of Baroque music, including nine world premieres, continues a partnership with Il Pomo d’Oro and musicologist Yannis François.
Review: Brahms – Double Concerto – Christian & Tanja Tetzlaff, Järvi
Christian & Tanja Tetzlaff perform Brahms’ Double Concerto, Viotti’s Violin Concerto No. 22, and Dvořák’s Silent Woods.
Review: Purcell – Dido and Aeneas – Fleur Barron, Matthew Brook, La Nuova Musica, Bates
Fleur Barron and Matthew Brook take the leading roles in Purcell’s famous opera, with Giulia Semenzato as Belinda. Conducted by David Bates with La Nuova Musica.
Review: Bartók – Piano Concertos Nos. 1-3 – Aimard, Salonen
Pierre-Laurent Aimard collaborates with Esa-Pekka Salonen and the San Francisco Symphony in Bartók’s three Piano Concertos
Review: Fantasia – Igor Levit, Piano
Igor Levit offers a contemplative exploration of the improvisatory aspects of the fantasia through works by Bach, Liszt, Busoni, and Berg.
