René Jacobs, Freiburger Barockorchester and RIAS Kammerchor Berlin perform Beethoven’s Missa Solemnis.
Category: Album Reviews
Unveiling the newest in classical music! The Classic Review’s Album Reviews offer insightful critiques of recent releases. Explore a range of artists, ensembles, and repertoire – all expertly analyzed for music lovers, new and experienced. Discover your next favorite recording here.
Review: Bruckner – Symphonies No. 2 & 8 – Gewandhausorchester Leipzig, Nelsons
Gewandhausorchester Leipzig Andris Nelsons continue their Bruckner Symphonies cycle, this time with the second and eighth Symphonies.
Review: Medtner – Songs – Sofia Fomina, Alexander Karpeyev
Soprano Sofia Fomina and pianist Alexander Karpeyev perform 22 songs by Nikolai Medtner.
Review: Rachmaninoff – Symphony No. 1, Symphonic Dances – Philadelphia Orchestra, Nézet-Séguin
In a first album of what will become a full cycle, Yannick Nézet-Séguin conducts the Philadelphia Orchestra in Rachmaninoff’s first Symphony.
Review: John Eccles – “Semele” – AAM, Perkins
A new recording of John Eccles’ rarely heard opera, “Semele”, with the Academy of Ancient Music under Julian Perkins.
Review: Bach – Well-Tempered Clavier, Book II (Excerpts) – Piotr Anderszewski
Piotr Anderszewski plays 12 Preludes and Fugues from the second book of Bach’s Well-Tempered Clavier.
Review: Weinberg – Violin Concerto, Sonata for Two Violins – Gidon Kremer
Gidon Kremer returns to Mieczysław Weinberg, with a performance of the Violin Concerto with the Gewandhausorchester Leipzig and Daniele Gatti.
Review: “Contralto” – Nathalie Stutzmann, Orfeo 55
Contralto Nathalie Stutzmann features as both a soloist and conductor in works by Handel, Vivaldi, and Lotti, and a handful of world-premieres by other Baroque composers.
Review: Haydn – Complete Symphonies, Vol. 9, “L’Addio” – Antonini
Giovanni Antonini continues his Haydn Symphonies cycle, this time with Symphonies HOB. 15, 35 and 45, “Farewell”.
Review: Bach – “Soli Deo Gloria” – Cantatas 21,76 – Collegium Vocale Gent, Ricercar Consort, Pierlot
Philippe Pierlot conducts the Collegium Vocale Gent and the Ricercar Consort in Bach’s Cantatas BWV 21 and 76.
