Nelson Friere presents a diverse program of short piano pieces, from Baroque to Romantic and Latin miniatures.
Category: Album Reviews
Unveiling the newest in classical music! The Classic Review’s Album Reviews offer insightful critiques of recent releases. Explore a range of artists, ensembles, and repertoire – all expertly analyzed for music lovers, new and experienced. Discover your next favorite recording here.
Review: Benjamin Bernheim, Tenor – Deutsche Grammophon (2019)
In his debut album for Deutsche Grammophon, tenor Benjamin Bernheim sings opera arias by French and Italian composers.
Review: “All Shall Not Die” – Haydn String Quartets – Quatuor Hanson
On their debut album for Aparté, Quatuor Hanson presents a selection of six String Quartets by Joseph Haydn.
Review: Beethoven – Complete Piano Concertos – Brautigam (2019)
This is Ronald Brautigam’s second recording of Beethoven’s Piano Concertos cycle, this time on period instruments with Die Kölner Akademie under Michael Alexander Willens.
Review: “Her Voice” – Piano Trios by Farrenc, Beach, and Clarke – Neave Trio
The Neave Trio presents piano trios of Louise Ferrenc, Amy Beach, and Rebecca Clarke.
Review: Beethoven – Violin Concerto, Septet – Kavakos
Leonidas Kavakos is the soloist and conductor in Beethoven’s Violin Concerto, and joined by members of Symphonieorchester des Bayerischen Rundfunks for the early Septet.
Review: Shostakovich – String Quartets No. 2, 7 & 8 – Pavel Haas Quartet
The Pavel Haas Quartet releases their first performance of Shostakovich, including the second, seventh and eighth String Quartets.
Review: Tchaikovsky – Violin Concerto – Lozakovich, Spivakov
In his second album for Deutsche Grammophon, violinist Daniel Lozakovich performs Tchaikovsky’s Violin Concerto with violinist and conductor, Vladimir Spivakov.
Review: Weber – Der Freischütz – Marek Janowski
In his second version on record, Marek Janowski is joined by a talented cast of soloists and is accompanied by the Frankfurt Radio Symphony.
Review: Handel – Brockes Passion – AAM, Richard Egarr
A new recording of Handel’s rarely performed passion, to mark the 300th anniversary of the first known performance.