Lars Vogt plays Mozart’s solo piano sonatas k280, k281, k310 and k333.
Category: Album Reviews
Unveiling the newest in classical music! The Classic Review’s Album Reviews offer insightful critiques of recent releases. Explore a range of artists, ensembles, and repertoire – all expertly analyzed for music lovers, new and experienced. Discover your next favorite recording here.
Review: Mahler – Symphony No. 1 (“Titan”) – Les Siècles, François-Xavier Roth
François-Xavier Roth conducts Les Siècles on Mahler’s “Titan” Symphony, using the early “Hamburg” edition and playing period instruments.
Review: Beethoven – Complete Symphonies – WDR Sinfonieorchester, Saraste
Jukka-Pekka Saraste concludes his tenure as the chief conductor of the WDR Sinfonieorchester with a complete cycle of Beethoven Symphonies, recorded live.
Review: Saint-Saëns – Piano Concertos No. 3-5 – Alexandre Kantorow
Following their joined Liszt album, Alexandre Kantorow and father Jean-Jacques present three piano concertos by Saint-Saëns.
Review: “American Rapture” – Yolanda Kondonassis, Harp
This American-centric program contains two world premiere recordings; Jennifer Higdon’s Harp Concerto, written and dedicated to soloist Yolanda Kondonassis, and Patrick Harlin’s “Rapture” for a symphonic orchestra. In between these [ … ]
Review: Weinberg – Symphony No. 2 & 21 – Mirga Gražinytė-Tyla
Symphony No. 2, played by Gidon Kremer’s Kremerata Baltica, and Symphony No. 21 (“Kaddish”), played by the City of Birmingham Symphony Orchestra (DG, 2019)
Double Review: Beethoven – Cello Sonatas – Marc Coppey, Leonard Elschenbroich
Two new versions is of Beethoven’s complete Cello Sonatas reviewed: Leonard Elschenbroich with Alexei Grynyuk on Onyx, and Marc Coppey with Peter Laul on Audite
Review: Janáček and Ligeti String Quartets – Belcea Quartet
The Belcea Quartet gives a transparent perspective to few of the chamber masterpieces of the 20th century.
Review: Bach – English Suites – Masaaki Suzuki, Harpsichord
Masaaki Suzuki continues his travel through Bach’s keyboard works played on a Harpsichord, this time with the complete English Suites. Read the full review.
Review: “Il giardino dei sospiri” – Magdalena Kožená
Mezzo Soprano Magdalena Kožená returns to the Baroque repertoire, with a program built around dramatic love scenes from secular Cantatas.
