Jonathan Griffith and the Royal Philharmonic Orchestra perform an arrangement of Handel’s “Messiah”, made by Sir Eugène Goossens for Sir Thomas Beecham.
Tag: Baroque
Review: Bach – The 6 Cello Suites – Alisa Weilerstein
Alisa Weilerstein presents the complete Cello Suites for unaccompanied cello, in a new recording for Pentatone.
Review: Vikingur Ólafsson Plays Rameau and Debussy
Pianist Vikingur Ólafsson in a recital of works by Rameau and Debussy.
Review: Pergolesi – Stabat Mater – Sandrine Piau, Christopher Lowrey, Rousset
Christopher Rousset and Les Talens Lyriques return to Pergolesi’s Stabat Mater, with Soprano Sandrine Piau and Contralto Christopher Lowrey
Review: Bach – Johannes Passion – Herreweghe (2020)
Philippe Herreweghe and the Collegium Vocale Gent return to Bach’s Johannes passion in their third recording of the piece.
Review: Bach – St. Matthew Passion – Bach Collegium Japan – Suzuki (2020)
Masaaki Suzuki and the Bach Collegium Japan return to the St. Mathew Passion, 20 years after their first recording.
Review: “‘Tis Too Late To Be Wise” – Kitgut Quartet
The Kitgut Quartet explores the connection between early string music to the classical String Quartet.
Review: Vox Luminis, A Nocte Temporis Perform Charpentier
Charpentier’s “Orphée Descendant Aux Enfers” and “La Descente D’orphée Aux Enfers” performed by Vox Luminis and A Nocte Temporis.
Review: "Farinelli" – Cecilia Bartoli, Antonini
Cicilia Bartoli in album of Baroque arias written for the famed castrato Farinelli.
Review: "Facce D'amore" – Jakub Józef Orliński, Emelyanychev
Countertenor Jakub Józef Orliński in an album which examines the male lover in the Baroque era. He is accompanied by Il Pomo D’oro and Maxim Emelyanychev.
