Arabella Steinbacher combines Vivaldi’s “Four Seasons” with Piazzolla’s “Four Seasons of Buenos Aires”, in a new recording with the Münchener Kammerorchester.
Tag: Baroque
Review: “Inferno” – Motets By Lassus – Cappella Amsterdam, Reuss
Motets for six and eight voices by Ronaldo De Lassus (1530-1594), performed by the Cappella Amsterdam under Daniel Reuss (Harmonia Mundi, 2020).
Review: Bach – Lute Suites – Sean Shibe, Guitar
Sean Shibe performs two of Bach’s Lute Suites and the “Prelude, Fugue and Allegro” on classical guitar.
Review: Purcell – The Fairy Queen – Gabrieli Consort – McCreesh
Paul Mccreesh soloists and the Gabrieli Consort & Players in Henry Purcell’s “The Fairy Queen”, based on a new addition by McCreesh and Christopher Suckling.
Review: Bach – Complete Keyboard Edition Vol.3 – Benjamin Alard
Benjamin Alard continues his odyssey through Bach’s complete keyboard works, playing both the organ and the harpsichord.
Review: “Messiah… Refreshed!” – Royal Philharmonic Orchestra, Griffith
Jonathan Griffith and the Royal Philharmonic Orchestra perform an arrangement of Handel’s “Messiah”, made by Sir Eugène Goossens for Sir Thomas Beecham.
Review: Bach – The 6 Cello Suites – Alisa Weilerstein
Alisa Weilerstein presents the complete Cello Suites for unaccompanied cello, in a new recording for Pentatone.
Review: Vikingur Ólafsson Plays Rameau and Debussy
Pianist Vikingur Ólafsson in a recital of works by Rameau and Debussy.
Review: Pergolesi – Stabat Mater – Sandrine Piau, Christopher Lowrey, Rousset
Christopher Rousset and Les Talens Lyriques return to Pergolesi’s Stabat Mater, with Soprano Sandrine Piau and Contralto Christopher Lowrey
Review: Bach – Johannes Passion – Herreweghe (2020)
Philippe Herreweghe and the Collegium Vocale Gent return to Bach’s Johannes passion in their third recording of the piece.
