Paul Mccreesh soloists and the Gabrieli Consort & Players in Henry Purcell’s “The Fairy Queen”, based on a new addition by McCreesh and Christopher Suckling.
Tag: Baroque
Review: Bach – Complete Keyboard Edition Vol.3 – Benjamin Alard
Benjamin Alard continues his odyssey through Bach’s complete keyboard works, playing both the organ and the harpsichord.
Review: “Messiah… Refreshed!” – Royal Philharmonic Orchestra, Griffith
Jonathan Griffith and the Royal Philharmonic Orchestra perform an arrangement of Handel’s “Messiah”, made by Sir Eugène Goossens for Sir Thomas Beecham.
Review: Bach – The 6 Cello Suites – Alisa Weilerstein
Alisa Weilerstein presents the complete Cello Suites for unaccompanied cello, in a new recording for Pentatone.
Review: Vikingur Ólafsson Plays Rameau and Debussy
Pianist Vikingur Ólafsson in a recital of works by Rameau and Debussy.
Review: Pergolesi – Stabat Mater – Sandrine Piau, Christopher Lowrey, Rousset
Christopher Rousset and Les Talens Lyriques return to Pergolesi’s Stabat Mater, with Soprano Sandrine Piau and Contralto Christopher Lowrey
Review: Bach – Johannes Passion – Herreweghe (2020)
Philippe Herreweghe and the Collegium Vocale Gent return to Bach’s Johannes passion in their third recording of the piece.
Review: Bach – St. Matthew Passion – Bach Collegium Japan – Suzuki (2020)
Masaaki Suzuki and the Bach Collegium Japan return to the St. Mathew Passion, 20 years after their first recording.
Review: “‘Tis Too Late To Be Wise” – Kitgut Quartet
The Kitgut Quartet explores the connection between early string music to the classical String Quartet.
Review: Vox Luminis, A Nocte Temporis Perform Charpentier
Charpentier’s “Orphée Descendant Aux Enfers” and “La Descente D’orphée Aux Enfers” performed by Vox Luminis and A Nocte Temporis.
