The Akademie für Alte Musik Berlin presents the first of what will become a three album series of Handel Concerti Grossi.
Tag: Period Instruments
Review: Charpentier – Histoires Sacrées – Ensemble Correspondances, Daucé
In their latest release, Ensemble Correspondances and their director Sébastien Daucé continue to champion the music of Marc-Antoine Charpentier, one of the most sophisticated composers of the French Baroque.
Review: “Kantaten” – Vox Luminis, Lionel Meunier
Vox Luminis under Lionel Meunier perform Cantatas by members of the Bach family, including one by Johann Sebastian himself.
Review: Mahler – Symphony No. 1 (“Titan”) – Les Siècles, François-Xavier Roth
François-Xavier Roth conducts Les Siècles on Mahler’s “Titan” Symphony, using the early “Hamburg” edition and playing period instruments.
Review: Bach – English Suites – Masaaki Suzuki, Harpsichord
Masaaki Suzuki continues his travel through Bach’s keyboard works played on a Harpsichord, this time with the complete English Suites. Read the full review.
Review: Kristian Bezuidenhout Plays Haydn
Kristian Bezuidenhout plays sonatas and variations by Haydn on fortepiano, after completing his well-received Mozart cycle for Harmonia mundi.
Review: Bach Violin Concertos – Shunske Sato
Violinist Shunske Sato performs Bach’s violin concertos and Double Concerto, with the period instruments group “Il Pomo D’oro”.
Review – Ronald Brautigam Plays Mendelssohn’s Piano Concertos (2018)
Ronald Brautigam performs Mendelssohn Piano Concertos on period instruments, in his second version for these pieces.
Review: Les Défis de Monsieur Forqueray – Lucile Boulanger, Viola da Gamba
Antoine Forqueray (1672-1745), a French Baroque composer and Viola da Gamba master, is the center of this fascinating album. Lucie Boulanger chose pieces which this rather forgotten figure either played or composed. Some are transcribed from violin to Viola da Gamba, other written specifically for the Viola.
Review: Schubert Death and the Maiden Quartet and D. 173 – The Chiaroscuro Quartet
There always seems to be two extreme approaches to Schubert’s “Death and the Maiden” String Quartet – The energetic, swift and sometimes rough approach (The Lindsays, Takács and Pavel Haas [ … ]
