Imogen Cooper plays Beethoven’s Diabelli Variations and Bagatelles Op. 119 for Chandos Records.
Tag: Piano
Classical music reviews, beginners guides and editor’s choice of album with piano.
Schumann – A Beginners Guide
Robert Schumann (1810-1856) is universally considered among the most important figures in the art world of the first half of the 19th century. Here are 10 pieces which represent a good place to start if one wants to get familiar with Schumann’s music.
Review: “33” – Simon Ghraichy, Piano (DG)
Review: “33” – Simon Ghraichy presents a highly original program, combining diverse group of composers, periods and styles on his second album for DG.
Review: Paul Lewis Plays Weber and Schubert Piano Sonatas
After a remarkably consistent flow of impressive releases of the Viennese repertoire, Paul Lewis combines two Weber and Schubert piano sonatas not heard often in concert or in the studio.
Album Review: c.1300-c.2000 – Jeremy Denk, Piano
Jeremy Denk presents 700 years of music, played on a piano in (roughly) a chronological order, spanning over 2 CDs.
Review: Jan Lisiecki Plays Mendelssohn (DG)
Jan Lisiecki plays Mendelssohn two piano concertos and solo works with the Orpheus Chamber Orchestra on Deutsche Grammophon.
Review: Kristian Bezuidenhout Plays Haydn
Kristian Bezuidenhout plays sonatas and variations by Haydn on fortepiano, after completing his well-received Mozart cycle for Harmonia mundi.
Box Set Review: Field Piano Concertos And Nocturnes – Frith (Naxos)
This box set groups Benjamin Frith’s 6 volumes of the Irish composer’s Piano Concertos and Nocturnes, with four Piano Sonatas.
Review: Maurizio Pollini Plays Chopin Op. 55-58 (2019)
Maurizio Pollini continues his Chopin recital series for Deutsche Grammophon, playing the Third Sonata, Nocturnes Op. 55, Mazurkas Op. 56 and Berceuse. The Mazurkas are new to Pollini’s long and distinguished Chopin discography.
Review – Ronald Brautigam Plays Mendelssohn’s Piano Concertos (2018)
Ronald Brautigam performs Mendelssohn Piano Concertos on period instruments, in his second version for these pieces.
