Maxim Emelyanychev leads Il Pomo d’Oro and soloists including Joyce DiDonato and Lisettte Oropesa in Handel’s recounting of the story of Theodora and Didymus.
Tag: Soprano
Review: Mahler – Symphony No. 4 – Les Siècles, Roth
François-Xavier Roth leads Les Siècles in a period instrument performance of Mahler’s Symphony No. 4.
Review: La Passione – Christina Landshamer, Akademie für Alte Musik Berlin
Soprano Christina Landshamer and period-ensemble Akademie für Alte Musik Berlin explore the omnipresent theme of love in works by Haydn, Beethoven, and Mozart.
Review: Verdi – La Traviata – Oropesa, Barbera, Oren
Daniel Oren leads the Dresdner Philharmonie in a new recording of Verdi’s La Traviata with Lisette Oropesa as Violetta and René Barbera as Alfredo.
Year In Review – Our Top Classical Albums for 2022
We go over a lot of classical music albums during the year, so when 2022 comes to an end it’s time for members of The Classic Review staff to pick their favorite albums of the year.
Review: Phrases – Héloïse Werner, Soprano
Soprano and composer Héloïse Werner takes the listener on a journey of contemporary works centered around the theme of ‘phrases’.
Review: Strauss – Orchestral Songs – Hanna-Elisabeth Müller, Soprano
Hanna-Elisabeth Müller, Christoph Eschenbach, and the WDR Orchestra perform Richard’s Strauss’ finest orchestral songs, including the Four Last Songs.
Review: “Angelica Diabolica” – Giulia Semenzato, Soprano
In a 2022 performance of works by Handel, Pollarolo, and others, Giulia Semenzato explores the world of the Baroque aria through the lens of an epic poem.
Review: Weber – Der Freischütz – René Jacobs (2022)
René Jacobs conducts a period-instrument performance of Weber’s singspiel, Die Freischütz, in which he also restores parts of the original libretto.
Review: Ye Xiaogang – Seven Episodes for Lin’an – Deutsche Staatsphilharmonie Rheinland-Pfalz
The Deutsche Staatsphilharmonie Rheinland-Pfalz presents three works of contemporary composer Ye Xiaogang inspired by history, culture, and ancient poetry.
