Album Reviews
Review: Mozart x 3 – Elsa Dreisig, Soprano
Soprano Elsa Dreisig, in a collaboration with Kammerorchester Basel, performs some of Mozart's best loved arias from his da Ponte and seria operas.
Vocal
Album Reviews
Review: Handel – Enchantresses – Sandrine Piau
Soprano Sandrine Piau's latest collaboration with Les Paladins and Jérôme Correas adds to her already distinguished Handel discography.
Album Reviews
Review: Grieg – Songs – Lise Davidsen, Leif Ove Andsnes
In their first collaboration, Lise Davidsen and Leif Ove Andsnes perform Edvard Grieg's finest songs from Haugtussa and the Op. 59 Five Poems, among others.
Album Reviews
Review: Puccini – Madama Butterfly – Foster
Soprano Melody Moore, tenor Stefano Secco, and Orquestra Gulbenkian feature in a new performance of Puccini's iconic Madama Butterfly.
Album Reviews
Review: Anima Aeterna – Jakub Józef Orlińsky, Countertenor
Jakub Józef Orlińsky's third solo album with Il Pomo d’Oro continues his Baroque journey and presents a selection of well-known works with world premieres.
Album Reviews
Review: À sa guitare – Philippe Jaroussky, Thibaut Garcia
Countertenor Philippe Jaroussky and guitarist Thibaut Garcia take us through a journey of 500 years in a series of diverse works.
Album Reviews
Review: Amata della Tenebre – Anna Netrebko, Soprano
Soprano Anna Netrebko presents her first solo album in five years with opera's most iconic arias from Purcell, Tchaikovsky, Puccini, and Wagner.
Album Reviews
Review: Amazone – Lea Desandre, Mezzo-Soprano
Mezzo-Soprano Lea Desandre features early Baroque composers including Vivaldi and Couperin, along with arias by de Bottis recorded for the very first time.
Album Reviews
Review: “Élégie” – Anita Rachvelishvili, Vincenzo Scalera
Mezzo-soprano Anita Rachvelishvili and pianist Vincenzo Scalera present a varied program of songs by Tchaikovsky, Rachmaninoff, de Falla and more.
Album Reviews
Review: Bach – Cantatas BWV 45, 198 (“Trauer Ode”) – Collegium Vocale Gent, Herreweghe
Philippe Herreweghe conducts Collegium Vocale Gent in his second recording of Bach's Cantata "Trauer Ode" BWV 198, with Cantata BWV 45 and Motet 118.